Lost In The World
Your my devil, your my angel
Your my heaven, your my hell,
You're my now, you're my forever,
You're my freedom, your my jail,
You're my lies your my truth,
You're my war you're my truce
Your my questions your my proof.
Lost In The World
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enleli:

The Flatiron building. #nyc #newyork #usa #danielburnham #architecture #building #city #like #flatiron #skyscraper
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yeezusquote:

Created by zaminizjammin
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thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
thekhooll:

Los Limoneros gus wüstemann architects
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thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
thekhooll:

The New World Geebird & Bamby
“”The New World" revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today. 
On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World" is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph."
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keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
keightmaclean:

In 1963, American Abstract-Experssionist painter, John Kacere (b. 1920 - d. 1999) moved rather suddenly to towards a more Photorealism approach to painting. For the majority of the remainder of his career, his paintings exclusively portrayed the female mid-sections draped in lingerie, painted at a larger than life scale. John soon became an icon of the photorealist movement.
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generationblank:

phyllis galembo
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adamferriss:

http://adamferriss.com/84